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<!--Generated by Squarespace V5 Site Server v5.13.159 (http://www.squarespace.com) on Fri, 24 May 2013 01:58:12 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>"Try This!" Archives</title><subtitle>"Try This!" Archives</subtitle><id>http://www.thedigitalnaturalist.com/try-this-archives/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.thedigitalnaturalist.com/try-this-archives/"/><link rel="self" type="application/atom+xml" href="http://www.thedigitalnaturalist.com/try-this-archives/atom.xml"/><updated>2011-05-02T15:19:33Z</updated><generator uri="http://five.squarespace.com/" version="Squarespace V5 Site Server v5.13.159 (http://www.squarespace.com)">Squarespace</generator><entry><title>Four Tips for Better B-roll</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/5/2/four-tips-for-better-b-roll.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/5/2/four-tips-for-better-b-roll.html"/><author><name>Amy Marquis</name></author><published>2011-05-02T15:19:13Z</published><updated>2011-05-02T15:19:13Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>If your video is comprised of interviews, try to get your b-roll after you&rsquo;ve recorded all or most of the interviews. The reason is that inevitably the people interviewed will say certain things that may inspire the kind of b-roll you&rsquo;ll want to shoot. Read more&nbsp;<a href="http://bladeronner.com/2011/05/02/four-tips-for-better-b-roll/" target="_blank">bladeronner.com</a>.</p>
</div>]]></content></entry><entry><title>How We Launched Our Film Online</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/3/31/how-we-launched-our-film-online.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/3/31/how-we-launched-our-film-online.html"/><author><name>Amy Marquis</name></author><published>2011-04-01T00:27:03Z</published><updated>2011-04-01T00:27:03Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>"I was reluctant to post my own film online. Honestly, I didn&rsquo;t know the best way to do it, and deep down I was afraid that a misstep would spell disaster for a project that I, and others, gave so much to. I knew we couldn&rsquo;t just toss it up on YouTube and say our prayers. We needed a plan."&nbsp;Read more at&nbsp;<a href="http://www.shortoftheweek.com/2011/03/23/how-we-launched-our-film-online-the-thomas-beale-cipher/" target="_blank">Short of the Week</a>.</p>
</div>]]></content></entry><entry><title>Why No One is Watching Your Video</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/3/10/why-no-one-is-watching-your-video.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/3/10/why-no-one-is-watching-your-video.html"/><author><name>Amy Marquis</name></author><published>2011-03-11T03:08:03Z</published><updated>2011-03-11T03:08:03Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>Create a sense of place, stop burying your lede, and add a dash of mystery to keep viewers watching past the one-minute mark. Read more-- and watch a related video-- at&nbsp;<a href="http://www.multimediashooter.com/wp/tutorials/why-no-one-is-watching-your-video-and-9-ways-to-improve-your-story/" target="_blank">multimediashooter.com</a>.</p>
</div>]]></content></entry><entry><title>Thoughtful Edits</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/2/25/thoughtful-edits.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/2/25/thoughtful-edits.html"/><author><name>Amy Marquis</name></author><published>2011-02-25T17:33:30Z</published><updated>2011-02-25T17:33:30Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>Always ask why you are making an edit at a particular place. Is the cut motivated by action? A musical beat? A pause in narration? If you don&rsquo;t have a reason, you need to find a new location for your edit. Every edit must be motivated.&nbsp;Read more on the&nbsp;<a href="http://www.mediastorm.com/blog/?p=2866" target="_blank">MediaStorm Blog</a>.</p>
</div>]]></content></entry><entry><title>MediaStorm's Guide to Crossfades</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/2/17/mediastorms-guide-to-crossfades.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/2/17/mediastorms-guide-to-crossfades.html"/><author><name>Amy Marquis</name></author><published>2011-02-18T04:41:27Z</published><updated>2011-02-18T04:41:27Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>Delete all dissolves between images&hellip; the eye sees cuts. When we look from one object to another, we see a blink. We don&rsquo;t see one object then dissolve to another. Read more on the&nbsp;<a href="http://www.mediastorm.com/blog/?p=3022" target="_blank">MediaStorm Blog</a>.</p>
</div>]]></content></entry><entry><title>Tips and Tricks for DSLR Video</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/2/10/tips-and-tricks-for-dslr-video.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/2/10/tips-and-tricks-for-dslr-video.html"/><author><name>Amy Marquis</name></author><published>2011-02-11T01:07:36Z</published><updated>2011-02-11T01:07:36Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>Transitioning from still to video? These accomplished DSLR journalists share their secrets and lessons learned. Watch more on&nbsp;<a href="http://ewenmedia.com/2010/11/05/tips-tricks-dslr-video/" target="_blank">Ewan Media</a>.</p>
</div>]]></content></entry><entry><title>So what? Who cares?</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/2/3/so-what-who-cares.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/2/3/so-what-who-cares.html"/><author><name>Amy Marquis</name></author><published>2011-02-04T01:36:32Z</published><updated>2011-02-04T01:36:32Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>Think like&nbsp;<em>National Parks</em>&nbsp;editors and make sure your video constantly answers the questions: "So what? Who cares?" To see examples of stories that do this well, visit&nbsp;<a href="http://www.npca.org/magazine/" target="_blank">npca.org/magazine</a>.</p>
</div>]]></content></entry><entry><title>Write Visually</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/1/27/write-visually.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/1/27/write-visually.html"/><author><name>Amy Marquis</name></author><published>2011-01-28T02:04:48Z</published><updated>2011-01-28T02:04:48Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>"Write visually. Editors write not in words but with images and sound. So mentally run your script in your head. This will also help sell your script and guide the director in shooting it." Read more at&nbsp;<a href="http://filmmakeriq.com/2009/11/writing-for-editing/" target="_blank">filmmakerIQ.com</a>.</p>
</div>]]></content></entry><entry><title>How to Create Quality Shots</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/1/20/how-to-create-quality-shots.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/1/20/how-to-create-quality-shots.html"/><author><name>Amy Marquis</name></author><published>2011-01-21T01:17:31Z</published><updated>2011-01-21T01:17:31Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>When you film people, you want to capture their emotional state-- so their face should fill up a significant portion of the screen. Read more secrets to quality shots on&nbsp;<a href="http://www.stumbleupon.com/su/2wCDSH/www.video101course.com/" target="_blank">video101</a>.</p>
</div>]]></content></entry><entry><title>7 Tips to Boost Creativity</title><id>http://www.thedigitalnaturalist.com/try-this-archives/2011/1/13/7-tips-to-boost-creativity.html</id><link rel="alternate" type="text/html" href="http://www.thedigitalnaturalist.com/try-this-archives/2011/1/13/7-tips-to-boost-creativity.html"/><author><name>Amy Marquis</name></author><published>2011-01-14T02:51:40Z</published><updated>2011-01-14T02:51:40Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div>
<p>Stuck in a creative rut? Try these&nbsp;<a href="http://www.briansingler.com/2010/12/13/7-tips-to-boost-your-multimedia-creativity/" target="_blank">7 Tips to Boost Your Multimedia Creativity</a>, courtesy of&nbsp;<a href="http://www.briansingler.com/" target="_blank">Brian Singler Multimedia</a>.</p>
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